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The compositions that arose from the sessions are in a variety of Afro, Latin and Caribbean styles, all connected by a consistent thread of North American soul and jazz sensibilities.
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The album's cast includes singer, percussionist and songwriter El Hadji Élage M'baye, originally from Saint-Louis off the coast of Sénégal, now resident in Gatineau, Québec, a descendant of a long line of griot minstrels, acknowledged for his fusions of traditional Wolof sounds with modern popular music singer, songwriter and guitarist Rômmel Teixeira Ribeiro, hailing from São Luís in North-Eastern Brazil, now living in downtown Ottawa, recognised for his unusual mix of native Brazilian styles with North American, West African and Caribbean influences vocalist and songwriter Slim Moore, born in Overbrook, Ontario to Jamaican parents, better known for his soul-oriented work with the Mar-Kays but exploring here reggae-tinged original Patois material brilliant jazz trumpeter Nicholas Dyson versatile singer Amelia Leclair on backing vocals and the full Souljazz Orchestra core complete the line-up, with vocal contributions by drummer / conguero Philippe Lafrenière and baritone saxophonist Ray Murray. Hailing from diverse musical backgrounds, the guests were the catalyst for memorable artistic exchange, allowing each party to feed off the other and venture beyond their usual realm of experience into fresh musical territory. Rooted in rhythmically rich musical traditions of the past, the collective have kept their eyes on the future, pushing the boundaries of soul, jazz and tropical styles with a set of heavyweight new songs, unified by a powerful message of positive social change.Īfter the success of their last record, the all-acoustic, instrumental outing, ‘Rising Sun’, the Orchestra returns to electric, vocal-driven compositions on ‘Solidarity’, inviting in a selection of singers with whom they have collaborated at different times over the last decade. Brigth Engelberts And The B.E.Canada’s hardest working super-group, The Souljazz Orchestra, return at full throttle this September with ‘Solidarity’, a new collaborative album featuring a range of unique artists from their country’s vibrant underground groove scene.Boye 'PapaGee' And Colours Afrobeat Orchestra (1).Barcelona Afrobeat International Orchestra (1).Baba Commandant And The Mandingo Band (1).Aiyekooto and his Afrobeat International (1).Adamosa Osagiede And His International Band (1).Orchestre Poly-Rythmo de Cotonou - The Vodoun Effe.Ayetoro - The Afrobeat Chronicles Vol 2.Segun Damisa And The Afro-Beat Crusaders - Nigeria.Antibalas Afrobeat Orchestra - Liberation Afro Bea.Mr Something Something & Ikwunga the Afrobeat Poet.Fela Kuti - The founder and genius of Afrobeat music!.Fela Kuti - 'He was in a godlike state'.This is an entertaining piece, but it doesn't really hold up to the rest of his material. "Na Poi," banned by the Nigerian Broadcasting Company due to its sexual content, makes one wonder - what was really going on in the Kalakuta Republic (his walled-in residence)? The instrumentation of "Na Poi" that began as genius settles into the familiar and works itself out until, once again, Fela decides to get down and literally dirty. This is actually another version of the same song from 1972. An unbelievable and hard-hitting groove opens up "Na Poi" and slams in with absolute genius. Once Fela feels he's got his point across, he just lets the musicians have their fun until the end of this 15-minute rollick. As he gets progressively worked up, the choir responds to him exemplifying the idea and the vibe.
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The words speak of the strange practice of Africans lightening their skin - this idea just doesn't jive with Fela's strong pan-African sentiments. After eight minutes of instrumental eminence, Fela makes his own voice heard and gets to the meat of his product. Fred Wesley and Maceo Parker have some tough competition here, as these guys are unwielding in their voice. The horn solos are reaching, explosive, and (though the word is overused) funky. "Yellow Fever" opens with a couple of measures of guitar and bass interplay that sets up the standard funk-jazz vamp that will prod the entire length.
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Yellow Fever, released in 1976, sits right up there with No Agreement (1977) and Confusion (1975) both in terms of quality of the groove and Fela's tact in putting out his message. The entire mid-'70s found Fela Kuti and his Afrika 70 really honing in on their signature sound.